Monday, 11 July 2016
#CBR8 Book 76: "Captain Marvel, vol 1: Higher, Further, Faster, More" by Kelly Sue DeConnick and David Lopez
Rating: 3 stars
Carol Danvers, who is apparently a hot-shot pilot and one of the Avengers, lives in the crown of the Statue of Liberty (you can do that?) with her sister and niece. When the Avengers find an escape pod from a spaceship with an alien refugee inside it, they decide that Carol be the one to return the girl to her homeworld, as well as take up a more permanent presence in space as a representative for the Avengers Initiative. As she returns the girl to her home planet, she discovers that they are in dire need of help, as much of the populace (already relocated from another planet) is sick and dying. Now the aliens are fighting another forced resettlement and Carol decides to help them.
Considering this is the first trade of a new Captain Marvel run, extremely little was done to explain who Carol Danvers is or what her powers are. At the end of the first issue, there is a brief one page explanation of how she ended up where she is (rendered as a child's drawing), but I really didn't think I learned enough to really feel like I got to know the character. She's brave, she can fly, she's apparently part alien. She likes Star Wars, she has a cat called Chewie (who may or may not be some sort of alien beastie that Rocket Raccoon really wants to murder) and she's a very good pilot. She was possibly in a relationship with Rhodey, the Iron Patriot, but decided to go off and live in space for an unspecified amount of time instead. I just don't think I was given enough to decide whether I even like this character or not.
This trade collects the first five issues of the run and I sadly found the story a bit too disjointed and confusing to entirely engage me. It starts with a dramatic action set-piece and then flashes back to several weeks previous. There is a guest appearance by the Guardians of the Galaxy (who I now care a lot more about because of the movie). I had trouble caring about what happened, even if there were quite a few quips and the art was well done throughout. I wasn't expecting a full and drawn-out origin story just because this was the first trade in an ongoing series, but a bit more back story would have been appreciated. As it is, I'm not sure I care enough about Carol Danvers as Captain Marvel to seek out further issues of this. I have enough ongoing comic books to follow as it is.
Judging a book by its cover: Fairly dynamic cover pose. Carol Danvers with a bit of a Natalie Dormer smirk pulling on gloves and looking bad-ass. I very much appreciate that unlike so many female superhero costumes, there is nothing gratuitous or exploitative about Captain Marvel's costume. It's functional and practical.
Crossposted on Cannonball Read
Rating: 4 stars
The opening story of Castle Waiting, which explains how the castle came to be abandoned, so to speak, is a variation on Sleeping Beauty. Only once the princess is awakened from her century of sleep and the hedge surrounding the castle lets people in and out, she goes off with her prince and pretty much forgets about the place where she slumbered and the people in it. As the years pass, the castle becomes a refuge for various outcasts and odd characters, with the princess' now elderly handmaidens being the only original inhabitants still staying there.
The second story concerns the journey of a mysterious lady, who is revealed to be pregnant, who after travelling for months, arrives at the castle, seeking sanctuary. Once the baby is born, she reveals that the baby's father is not her husband, and while not much is revealed about the baby daddy, the child has green skin and his father apparently had horns, at least, so he's clearly something a bit out of the ordinary. I'm assuming more about the lady Jain and her baby may be revealed in future volumes, it's not actually given that much focus here.
We are also given the story of the nun, sister Peaceful, and her order of bearded nuns. Turns out, Peaceful was originally a tavern keeper's daughter, until she started growing a beard and decided to join the circus. There she discovers they already have a bearded lady (who becomes her BFF) and the two eventually run off and discover the convent of the Solicitine nuns, all of whom have facial hair. My favourite story was probably that of the Mother Superior of the order, and her life before she came to the convent.
Linda Medley studied folklore and it shows in her gentle twist on a number of fairy tales. It's only really the first tale that is a version of Sleeping Beauty. The rest of the book involves more of an anthology of tales involving the various inhabitants of Castle Waiting or people they've met before they came there. The art and lettering is absolutely gorgeous throughout, and reminded me a bit of Charles Vess (who among other things illustrated Neil Gaiman's Stardust and some issues of Sandman). There is a strong feminist theme to many of the stories, with female friendship being an important common denominator throughout the book.
Only the final story of the book, involving a greedy mill owner making things difficult for the Solicitine nuns didn't really work for me. That one was boring. Other than that, there are a lot of quirky and unusual characters making friendships and forming bonds throughout the stories. Found family is absolutely a big thing here. This is once again one of those books that has languished on my shelves for years and years without me ever picking it up. I'm glad I finally did. It was well worth some hours of my time.
Judging a book by its cover: I have a lovely hardcover edition of Castle Waiting, vol 1. The spine is green and the cover image feature all of the various inhabitants of the castle, in a full colour illustration. As the inside illustrations are all in black and white, it's nice to see the characters in colour, at least once.
Crossposted on Cannonball Read.
Rating: 5 stars
Francie Nolan grows up in the tenements of Williamsburg in Brooklyn, New York in the early years of the 20th Century. The granddaughter of German and Irish immigrants, Francie and her younger brother Neeley (real name Cornelius) grow up dirt poor, but thankfully don't really realise it until they get older. Their mother, Katie, works hard as a janitress to make sure they have a place to stay and food on the table. Their father, Johnny, is handsome and charming, a gifted singer, and a drunk. He works as a singing waiter when he can, but is too unreliable to hold down a steady job. Francie and Neeley help out as best they can, collecting junk and selling it for pennies.
The daughter and sister of women who never even learned how to read and write, Katie Nolan values education above all, and is determined that both of her children are going to get educated, whatever the cost. Even before the children are literate themselves, she reads them a page from the Bible and from the collected works of Shakespeare. Francie is quiet and bookish and loves the local library, determined to read her way through every book on the shelves, from A to Z. She reads a book a day and does well in school, so well that the family lie about her address so she can go to a better school in a more prosperous part of town.
Francie works hard to do well in school, but has to get a job rather than go to high school, or her family can't manage. She doesn't give up on her dream of going to college eventually, though, and through perseverance and determination, slowly manages to achieve her goals.
I'm sure a lot of American teenagers possibly read this book at some point during their school years. Written in the 1940s, when it wouldn't have been as much of a historical novel as it is now, it is a wonderful, if very sad and affecting, portrayal of what growing up poor in Brooklyn pre-World War I would have been like. It's a book that doesn't shy away from showing the harsh realities of being poor and hungry, but it's not an utterly miserable book, by any means. The Nolan children may not have a lot of money, but they are taught to be responsible, work hard and they have their pride. Katie Nolan doesn't take charity from anyone and when her husband, who she stole away from her best friend because Katie just knew she had to have him, turns out to be weak and unreliable, well, then she just shoulders more of the burden of providing for the family. Johnny Nolan may be a drunk, but he's never violent, abusive or cruel and he does what he can to take care of his wife and children.
As she grows older, it becomes very obvious to Francie that her mother will always love Neeley best, and she quietly resents her mother for this fact. At the same time, she herself admits that she loves her father more, as he seems to see her and understand her in a way her mother never could. She's a fairly lonely child, finding it hard to trust women other than her closest kin, having seen the judgemental nature of many of the women in the neighbourhood. Living mainly in her books, she nonetheless sees the realities of life and the frailties of human nature all around her in the tenements and in the marriages of her parents and aunts.
Even with snatches of humour and the occasional hint of levity, the book really is very sad for a lot of the story, because there is nothing nostalgic or romantic about being the working poor. As Francie comes of age, she is fully aware how often she and her family are judged, and hard they must work just to make ends meet, let alone to put something aside for a rainy day. She comes to share her mother's opinion that education is the way out of poverty and does her very best to excel in school.
This book made me smile, it made me sad, and towards the end, it made me actually sob, because I had been so engrossed in the story that I didn't want it to end. About two thirds of the way through, the story was getting so grim and I was so despondent that I spoiled the rest of the story on Wikipedia. I wasn't sure I was going to be able to read to the end if I didn't know that things were going to get better for the Nolans eventually.
A wonderful coming of age story, chronicling a very real past, with a wonderful set of characters. Francie's immediate and extended family are all wonderful. This book is a beloved classic for a reason. It's a sad and emotional reading experience, but is not relentlessly bleak all the way through and there is hope and a promise of a better life for the surviving characters at then end of the story.
Judging a book by its cover: The version I read has a simple and elegant cover, with the major colours being green (along the spine) and brown, towards the bottom of the book and reflected in the font used for the title. There is a faint sketch of a tree behind the title, also done in greens. It's a good cover, if nothing flashy or too exciting.
Crossposted on Cannonball Read.
Sunday, 10 July 2016
Rating: 4 stars
The three Bone cousins Fone Bone (renamed Hero Bone in my head), Smiley Bone (Comic Relief Bone) and Phoney Bone (Greedy, or frequently Insufferable, Bone) have been driven out of their home town of Boneville because Phoney Bone had some sort of get rich quick scheme and scammed the entire town, and now an angry mob has driven them off. They are wandering in the wilderness when they are attacked by a huge swarm of locusts and end up in a mysterious forest in a valley, separated for quite some time.
Fone Bone befriends a small leaf-like bug called Ted and meets a large red dragon, before he is introduced to a pretty girl, Thorn, and her grandma Rose. He also encounters furry, sharp-toothed, pointy-eared rat creatures, who would very much like to eat him. He is eventually re-united with his cousins, who are working in the local tavern at Barrelhaven. As Phoney tries to make himself rich by fixing the betting for the annual cow race, Thorn keeps having strange dreams about her past. It also seems like there are strange and sinister things afoot with the rat creatures, their leader Kingdok, and a mysterious hooded individual, all looking for the Phoney Bone, who wears a star on his shirt.
As Thorn is alerted to the fact that dragons are in fact real, her dreams start coming all the more frequently, and she remembers more about her past, before she ended up in the remote valley with her grandma. She discovers that her grandmother has been lying to her all her life and that there is a reason the rat creatures and the Hooded One are after both Phoney Bone and her for a reason. Can Fone Bone and his cousins help Thorn achieve her destiny? Can they stop the sinister Lord of the Locusts from rising and destroying the world? Will Phoney ever stop trying super annoying Get Rich Quick schemes and making himself unpopular with everyone around him?
I bought my mammoth collected edition of Bone so many years ago I don't even remember not owning it. Have I ever read it before now? That would be a resounding no. Collecting the 55 issues (and nine different books) of the fantasy adventure comic, my edition is a whopping 1341 pages and that makes for quite the unwieldy reading experience. Every time I've considered starting it, I've looked at the size of the book and reconsidered. So in the great comics read of 2016, it was imperative that I finally read this huge book, which I think has moved house with me at least twice.
For the first third or so of the book, I was not impressed. The book starts slow and spends way too long with the Bones just plodding around doing nothing in some remote village. I think Phoney convincing Smiley to dress up like a cow so they can rig the cow race, or Fone Bone wandering around, moonstruck and infatuated with Thorn, writing atrocious love poetry are things that are supposed to be funny, but to me it was just annoying and puerile. It was painfully obvious from the very beginning, even before it was revealed that Thorn had mysterious dreams, what her actual origin was and I would have like the comic so much more if the main focus had been on her and the power struggle with the Lord of the Locusts, instead of countless digressions featuring hapless bald gnome-like beings making me want to tear my hair out.
Once the quest to restore Thorn to her rightful place in the world begins, and there's war brewing and an army of rat creatures and soforth, and Fone Bone stops believing that he could EVER have a chance with a human girl (I have no idea what sort of creatures the Bones are supposed to be, but an inter-species romance between them and humans seems pretty far-fetched, and this is coming from someone who has read any number of shifter romances) and just gets with the helping her program, the book gets a lot better. That Phoney Bone is off-screen for literally hundreds of pages and I don't have to read about his greedy schemes to defraud others was also a plus.
The art is absolutely spectacular. The main fantasy adventure story, when it actually kicks off, is really fun. This book once again reminded me how much I absolutely loathe the trope of early fantasy (thanks Tolkien!) of spending hundreds and hundreds of pages of set-up where nothing much of any importance happens before we get to the good stuff. I am way happier now that most fantasy no longer utilises this trope.
Thorn is quite an engaging heroine and it's not her fault that anyone who's read more than two fantasy narratives ever can tell what her story is from the page she first appears. When Smiley Bone was separated from Phoney and stopped being just idiotic Comic Relief, he was actually very sweet. Even Phoney Bone wasn't a complete waste of space. He clearly actually cares for his cousins and it is explained further into the story that the three are orphans, with Phoney being the eldest, always trying to protect the other two. When he's not actively trying to scam someone to make himself rich (something like 90% of all his appearances in the book), he's not too bad. Grandma Rose was a pretty cool lady, although she appears to have supernatural strength, speed and healing ability, considering the feats she achieves over the course of the story.
I was seriously unsure of what rating to give this collection. If I was only rating the first third, I would probably have ended up on 2 stars. But as the story gets going, it really is very engaging and there are some cool twists and turns. I did come to really like the two cowardly sentry rat creatures, and Bartleby was a darling. I also developed a strange affection for Kingdok, the giant, toothy-grinned leader of the rat creatures, even though he's clearly one of the villains. The art really is so beautiful throughout and if I'd read this as a young teenager, when I had a lot more patience for slow set-ups, I would probably have loved the whole thing. There is a lot of humour (even though I personally found a lot of it annoying rather than funny. According to my husband, I am crazy for not liking the stupid cow race), which is nice, especially because so much fantasy nowadays is all grim and dark. As I can't start with quarter stars (that way madness lies), and the book is better than 3.5, a full four stars it is.
Judging a book by its cover: Sadly, having seen some of the other covers for the collected edition of Bone, I think my edition has one of the most boring and plain covers of the various editions. Fone Bone sitting alone on a rock in the forest. On the back cover, there are little colourized pictures of Phoney, Thorn, Smiley, the Red Dragon and Kingdok, and on the spine, you can see one of the rat creatures attacking Fone Bone in the woods (that's the picture that seems to be the actual cover image on several editions). I wish my book had looked a bit more exciting.
Crossposted on Cannonball Read.
Saturday, 9 July 2016
Rating: 3 stars
Liberty "Libby" Bell (yes, her parents named her Liberty when their surname was Bell, I don't know why you'd do that to a child either!) has been living as a veritable recluse in her grandparents' old farmhouse on an island in the Carolinas (I think, there's an author's note about how the place obviously doesn't really exist blah blah) since her parents died in a car accident the year before. She apparently makes her living as a book cover designer (cool job - not one I've come across in romance before, not that we EVER see her doing any work). She comes home to find a man passed out on her lawn, his large, expensive motorcycle having destroyed part of her front yard before it got wrapped around her fence. Since he is clearly dead drunk, Libby wakes "Lawn Bum", as she mentally christens him by spraying him with her garden hose. He wakes up, swears a lot, proceeds to get completely undressed and vomits all over her.
Killian James is the guitarist and one of the lead singers of Kill John, the biggest rock band on the planet (they're never just moderately famous people, nope, super celebrity, obvs). On the anniversary of his bandmate Jax' suicide attempt, he got himself hammered into oblivion and went joyriding on his bike, ending up in Libby's front yard. He hasn't wanted to touch his guitars or make any music for a year, but after spending some time with the grouchy, snarky hermit woman who cleaned him off and fed him, despite her misgivings, he feels his inspiration returning. Normally surrounded by clamoring fans or press people, he enjoys that Libby clearly has no idea who he is. He understands why she retreated to the island when her parents died, and could quite happily stay hidden away in the house right next door to her forever. But his manager won't stop calling, and it's time to get the band together again.
Killian doesn't want to go back on tour without Libby. Having discovered that she can sing, play guitar and makes her own songs (her parents were a session guitarist and a backing singer, respectively), Killian wants her to play some songs with the band. Libby doesn't want to leave the safety of her farmhouse, and she certainly doesn't want to go on stage with a hugely successful rock band in front of tens of thousands of people. Nor does she want people to think Killian is only giving her a chance to sing because he wants to get in her pants. But if he leaves and goes on tour, is she ever going to see him again? What would a world-class rock star really see in a shy little homebody like Libby Bell?
If your business tycoon/billionaires are the dukes of contemporary romance, the athletes and various sportsball players the viscounts, then surely the rock stars have to be the earls. In the last few years, I've read rock star romances by Kylie Scott (the Stage Dive series) and Nalini Singh (Rock Kiss), but if you google "rock star romance", there are SO many hits. Again, as I pointed out, the rock stars in question are not really your run of the mill just made their first album, starting out sort of guys. Nope, they're always the biggest, most popular rock gods in the world, recognised by everyone everywhere. They're also, always, super gorgeous. I'm doing a mental image search of the lead singers of some of the big rock bands around presently - most of them look like hipstery grad students, NOT romance heroes. So here is absolutely an example where romance really does NOT mirror reality.
While I really liked all three of Kristen Callihan's Game On books (I thought the series was completed with book 3, The Game Plan, but I was wrong, there is a new one out in February next year), this was less great. Going by her Goodreads updates, my friend Erica was frustrated enough with the book that she actually DNF'd it. I can't say I see what was quite so annoying about it, but it certainly didn't grab me and keep me engrossed like her sportsball NA books did.
I have many quibbles:
- First of all, there was quite a lot of tell, not show, in this book. We are told that Killian and Libby have all these things in common and that they talk about everything under the sun, but we are rarely actually party to these conversations. We are also told about Libby's job, but she's one of these contemporary romance protagonists who don't ever actually appear to have to do anything to make a living. Perhaps her parents' deaths left her independently wealthy? If so, this is never touched on.
- Despite never having performed on stage (she has crippling stage fright, and was strongly discouraged by her parents to go into a career in music), Libby isn't just good at playing the guitar and singing, she's absolutely awesome. After one song, she's won over the entirety of Killian's band, not just the guy who has the hots for her. They have no qualms about having her sing along on several of the songs on their international reunion tour.
- As seems to be the case far too often, Killian isn't just well-endowed, he has a veritable monster in the pants region. Here I'm going to have to agree with my friend Erica - what is wrong with reasonably-sized, but well-favoured once in a while? Why do they always have to be super-huge?
- Speaking of the pants-region, far too much of Killian's emotional and physical state at any given point seems to be expressed with reference to what his balls are doing or how they are feeling. I went back and counted - fifteen separate mentions - of Mr. Rock God's dangly bits.
- For people who are both apparently great at writing song lyrics, both Libby and Killian SUCK at communication. Using their actual words to express to one another what and how they feel - not a thing they excel at. It's one of the things that keeps the conflict of the romance drawn out longer than should have been necessary.
Judging a book by its cover: So with her sportsball New Adult romances, Kristen Callihan's books all feature burly dudes in various stages of undress (usually shirtless) seen from the front (with their heads conveniently cut off, or at least their faces obscured). But on the cover of the book about a rock star who is described as ALWAYS ending up shirtless on stage during his gigs, there is a fully clothed dude, with his back to the camera. His ass is even mostly hidden by his guitar. Poor use of ogling material, cover designers. That's all I'm saying. At least the dude has short hair (Libby cuts Killian's long tangled hair short in one very steamy scene in the book). This cover is quite boring, I find. It doesn't capture the dynamic nature of good rock stars or the energy of the band described in the book.
Crossposted on Cannonball Read.
#CBR8 Book 71: "Bitch Planet, vol 1: Extraordinary Machine" by Kelly Sue DeConnick and Valentine DeLandro
Rating: 4 stars
"In the beginning, God created the Heavens and the Earth. Mother Earth, we used to say, before we understood. Space is the mother who receives us, you see? Earth is the father. And your father has cast you out. For your trespasses, your gluttony, your pride, your weakness, and your wickedness are such that you are beyond correction and castigation. Like a cancer you must be excised from the world that bore you. For the well-being of us all, lest your sickness spread. You will live out your lives in penitence and service here..."
These are the words, read by a woman, that the women sent to the Auxilliary Compliance Outpost, an off-world prison colony, more colloquially known as "Bitch Planet". Who is deemed non-compliant? It could be as the back cover of the trade paperback says anyone who doesn't fit in their patriarchally-assigned box, be they too fat, too thin, too loud, too shy, too religious, too secular, too prudish, too sexual, too queer, too black, too brown, or too whatever-it-is-they'll-judge-you-for-today. Compliant women all seem to be thin, demure, white and blond.
The world is controlled by the "Fathers" and anyone who doesn't fit into their ever-changing images of what a good, submissive and compliant little female should be, is sent away to prison. It is a world that wouldn't work if many women didn't also conform to these crazy standards, helping the men police their sisters, mothers, daughters, supporting the internalized patriarchy.
In the first five issues, collected in Extraordinary Machine, we meet a number of women sent to Bitch Planet, and get some glimpses into what some of them did to be deemed non-compliant enough to be imprisoned. Some of the women are offered a flimsy chance at freedom, offered to form a team and compete in the hugely popular, much betted-on, universally televised sport Megaton. Kamau Kogo, a former athlete, now accused of a murder she didn't commit, is asked to assemble a team. She initially refuses, but is persuaded to change her mind by other women in the prison, who want to grasp at the tender straw of hope the proposal brings.
So many Cannonballers have already written excellent and much-more eloquent reviews of this book than I can manage. El Cicco, SavageCat, Narfna, Emmalita, Yesknopemaybe, Jenny S, Alwaysanswerb and Bonnie. It's difficult to come up with anything clever and insightful that one (or several of them) hasn't already said. This is an important, angry and deeply feminist comic. It has many important messages about the way toxic patriarchy brings women down and how it brain-washes ladies into buying into the lies, so many of them in turn help oppress fellow women. The writing is good, the art is deliberately pulpy. The "adverts" at the end of each issue are subversive and great, but also provide terrifying facts about domestic abuse and violence against women in the US today.
I don't know when the next trade is out, but I shall keep my eyes open.
Judging a Book by its cover: Each of the issues of Bitch Planet have stylised and pulpy covers, reminiscent, as Emmalita points out in her review, of the cheap pop art of “girls, girls, girls” comics. There is the silhouette of a full-figured lady who is clearly non-compliant, giving both middle fingers to the world. The pink background shows some of the prisoners on the right side of the silhouette, with the prison guards and their terrifying busty, and leggy Confessor Nun in a chair with her legs crossed. Above the silhouette's head, naked women wearing helmets, fighting. "Are you woman enough to survive?" "Girl Gangs...Caged and Enraged" printed at various places across the cover, again, calling to mind pulpy exploitation comics. It's a good cover, for a very good book.
Crossposted on Cannonball Read.
Monday, 4 July 2016
Rating: 4 stars
This book alternates between three different story lines. The first, by far my favourite, is about the Monkey King, who teaches himself all the different branches of Kung Fu until he is not only invulnerable and immortal, but also able to fly, make himself huge, shrink down or shapeshift. He wants to become greater than Tze Yo Tzuh, the God of all the gods, and is instead buried under a mountain for five hundred years because he is too stubborn to change his mind.
The second story is about Jin Wang, who moves from San Fransisco to a neighbourhood with barely any Asians, and is ostracised and bullied as a result. He so desperately wants to fit in, even more so when he falls for one of the American girls in school. His only friend is a kid from Taiwan, Wei-Chen, a geeky boy who also struggles to fit in and has to wrestle with speaking correct English on top of everything else.
The third story seems to be a racist sit-com, complete with awful laugh track, about Danny, recently accepted onto the varsity basketball team. He's quite well-liked and popular at school, but then his cousin Chin-Kee, the worst Chinese stereotype character you can possibly imagine, comes to visit and proceeds to make him more and more embarrassed and freaked out.
The three separate and seemingly unconnected storylines eventually converge into one, and the theme of the whole book seems to be acceptance of one's true self, even in the face of adversity. All three characters dealt with feel alienated or different in their society and fight to change this through various means. I absolutely loved the Chinese mythology bits, and learning more about the Monkey King and his journey towards spiritual peace and acceptance. When I was a student, several of my friends would love to stay up late, watching episodes of Monkey (I only barely remember snippets), but as I kept reading, it became obvious that the mythology behind both was the same.
Having only ever read Boxers and Saints by this author (which was very good, but oh so depressing), I really wasn't sure what to expect. I get what he was trying to do with the Chin-Kee parts, but the super racist stereotype of a Chinese character still made me deeply uncomfortable and I therefore really didn't like those bits too much. Jin Wang was a bit of an idiot on occasion, but as someone who works with teenagers, I know all too well that that is a universal trait, no matter the background of the teen in question. All teenagers are idiots, and being a teenager pretty much always sucks. The hoops they will jump through and the ordeals they will put themselves through to fit in, it astounds me. I'm glad Jin Wang eventually started to see that he would be happier if he accepted his true self, even if he had to have a mythological visitation to do so.
I think I would have been happiest if this entire book was just an illustrated story of the Monkey King and continued with his Journey to the West, without any modern age teenagers or horrible stereotypes at all. The art is absolutely amazing throughout, so expressive.
Judging a book by its cover: The cover is almost all yellow, with line drawings of mountains, clouds and the mountain the Monkey King is buried under in the background. The Monkey King, naturally, looks quite annoyed. On the left-hand side, you see half of little Jin Wang's face in the foreground, clutching one of his beloved robot toys (when he is asked what he wants to be when he grows up, he responds "a Transformer"). Jin Wang and the robot are in colours, otherwise the whole thing is yellow. The back cover has the other half of Jin Wang and his robot and up in the left hand corner, there is a small TV screen with picture of Chin Kee grinning. I like the cover, which captures a lot of the graphic novel in three simple images.
Crossposted on Cannonball Read.